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In the forest. I love to notice the plants that aren't just growing from the forest floor. but from above. Ferns and trees hang over the creek. Here. a very tall saucer raises the planter and the plant high and casts long shadows. When...

This form plays with the shapes of Heath's classic bowl shapes. yet it contains a surprise. The large saucer resembles a shallow serving bowl in profile but gains lift from a foot beneath it. Inside. the clay rises to form a secondary container that...

This duo of vases can work as a single vase or two. Fill them with plenty of flowers or just a few. —Tung Chiang. Clay Studio Director

This form is designed to feel good in the hand as you move the plant to sun and shade. Nested together. the two bowls share a glaze gradient from red along the rim down to an orange below. The interior of the saucer has...

This form is inspired by Ikebana. the Japanese art of flower arranging. which is not just about the vase or just about the flower. but about the space between them as well. Here. a small. round bowl rests within a large. footed bowl. The...

This piece is inspired by the original teapot designed by Edith Heath. which had a bent brass handle wrapped in woven leather. A planter is not necessarily a stable element in your home. so the handle speaks to mobility. like a basket for transporting...

This form is designed as an interdependent trio of elements. The outer tray catches and holds water. and the larger inner piece is intended for moisture loving plants like ferns. which enjoy consistent humidity. The small cylinder is open on both ends. intended as...

This is an extra large version of a similar design. I have been obsessed with this shape all year. It's a combination of egg and matryoshka doll. which I realized are both symbols of fertility. For me. there's likely no baby involved. but plenty...

Plants are symbol of strength for me. They grow in small sidewalk cracks. in impossible places. everywhere you look. This form is about showcasing the determination of the plant. The interior planter is hidden within a taller exterior pot. As the plant grows from...

A vertical. upward-bound cactus sits tall atop of wide-rimmed bowl of this simple form. The lip overhangs the edge of the exterior saucer just slightly to enable easy removal. The outer bowl's geometry is slightly unexpected. its widest point sitting high above a tapered...

This is the only hanging piece in the collection. I was interested to explore the suspension element. which I chose to place at the center of the pot. An interior cone rises from the center. forming both the wall of the planter. and the...

The round proportions of this form echo the classic Heath shallow serving bowl. both of which sit comfortably in the hands. and elegantly on a table or counter. The interior bowl has a wide rim that extends slightly over the saucer. making it easy...

Here the small lid doubles as a lid for a serving platter. —Tung Chiang. Clay Studio Director

This form is for plants that love water. The large tray has bumps on the bottom that behave like pebbles. lifting the plant slightly so that it can benefit from moisture beneath it. without becoming waterlogged. Water can evaporate from the space between the...

This form draws inspiration from the chalices that stand at the entrances of formal gardens. A tall pedestal acts as a saucer and can perform sturdily as a vase. with its wide. stable foot. The plant sits high in a bowl with textured speckling...

This form is like a tiny garden unto itself. It reminds me of my neighbor. a home gardener who loves and cares for her plants. The scalloped edge on this design is used twice. on both the inner and outer pots. with an unglazed...

What is a lid? What if a lid can do more than just cover? Here a bowl sits on top to cover the hidden surprise underneath. —Tung Chiang. Clay Studio Director

The focal idea of this design is the woven handle. which is modeled on the original Heath teapot. designed by Edith Heath. The handle reminds us that plants like to move according to the sun. seeking light or shade. The two nesting bowls create...

This form is inspired by Ikebana. the Japanese art of flower arranging. which is not just about the vase or just about the flower. but about the space between them as well. Here. a very small. round bowl rests within a large. footed bowl....

This large dome rests perfectly on a shallow bowl. Inside the piece is glazed with a surprising blue glaze. —Tung Chiang. Clay Studio Director