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Akio Nukaga's work explores the possibilities of how he leaves a trace of himself in clay. This piece features his signature “Pleated Work” technique of carving grooves into the wet clay after it is thrown on the wheel. The form—inspired by traditional kokeshi dolls—is...

This simple plate is carved with grooves along its edge and decorated with white slip. Though simple. the plate contains all the hallmarks of Akio's expert craftsmanship. The shinogi—a traditional Japanese decorative technique—are carved carefully by hand into the surface of the piece. After...

Akio Nukaga's work explores the possibilities of how he leaves a trace of himself in clay. This piece features his signature “Pleated Work” technique of carving grooves into the wet clay after it is thrown on the wheel. The form—inspired by ancient earthenware—is accentuated...

Akio Nukaga's work explores the possibilities of how he leaves a trace of himself in clay. This piece features his signature “Pleated Work” technique of carving grooves into the wet clay after it is thrown on the wheel. The form—inspired by traditional kokeshi dolls—is...

For Akio Nukaga throwing on the wheel is a technique close to his heart. one that he can always rely on. Each piece in this collection is an exploration in stacking architectural forms including spheres. cylinders. and cones in hopes of pushing expectations of...

Akio Nukaga's work explores the possibilities of how he leaves a trace of himself in clay. This piece features his signature “Pleated Work” technique of carving grooves into the wet clay after it is thrown on the wheel. The form—inspired by traditional kokeshi dolls—is...

This simple plate is carved with grooves along its edge and decorated with white slip. Though simple. the plate contains all the hallmarks of Akio's expert craftsmanship. The shinogi—a traditional Japanese decorative technique—are carved carefully by hand into the surface of the piece. After...

For Akio Nukaga throwing on the wheel is a technique close to his heart. one that he can always rely on. This piece features his signature “Pleated Work” technique of carving grooves into the wet clay after it is thrown on the wheel. These...

Akio Nukaga's work explores the possibilities of how he leaves a trace of himself in clay. In this piece. he stamps patterns into the soft. wet clay before it is fired—a nod to Japanese techniques called “inamun” and “mishimade”. The form of the vessel—inspired...

Akio Nukaga's work explores the possibilities of how he leaves a trace of himself in clay. In this piece. he stamps patterns into the soft. wet clay before it is fired—a nod to Japanese techniques called “inamun” and “mishimade”. The form of the vessel—inspired...

For Akio Nukaga throwing on the wheel is a technique close to his heart. one that he can always rely on. Each piece in this collection is an exploration in stacking architectural forms including spheres. cylinders. and cones in hopes of pushing expectations of...

This large and dramatic platter is decorated with bold black slip. The dark surface is contrasted with white slip painted on to the edge of the piece. After bisque firing Akio applies colored slips and then glazes the pieces with translucent matte glaze. Beautiful...

Akio Nukaga's work explores the possibilities of how he leaves a trace of himself in clay. In this piece. he stamps patterns into the soft. wet clay before it is fired—a nod to Japanese techniques called “inamun” and “mishimade”. The form of the vessel—inspired...

Akio Nukaga's work explores the possibilities of how he leaves a trace of himself in clay. This piece features his signature “Pleated Work” technique of carving grooves into the wet clay after it is thrown on the wheel. The form—inspired by traditional kokeshi dolls—is...

This year Akio set out to create new expressions through the beauty of imperfection. Drawing inspiration from Kakuzo Okakura. Akio says. "Okakura notes that imperfect objects invite us to use our imaginations—to 'complete' them in our mind's eye. His ideas inspired me to think...

This large bowl has an undulating rim that creates giving it a floral shape. The surface is decorated with a pale yellow kohiki slip and glazed with a translucent matte glaze to preserve its tactile qualities. After bisque firing Akio applies colored slips and...

Kieran Kinsella has crafted a collection of pieces exclusively for the Summer collection. Each piece is made from a log that was diverted from being turned into firewood or mulch. He crafts each piece in a way that continues to tell the story of...

This robust vase features an oval shaped rim—a new design for this year—decorated with bright yellow slip. The body is carved with lines accentuating the round form. The blue slip on the surface interacts with the clay to create a rustic surface. The shinogi—a...

This large and dramatic shallow bowl is decorated with bold black slip. The dark surface is contrasted with white slip painted on to the edge of the piece. After bisque firing Akio applies colored slips and then glazes the pieces with translucent matte glaze....

This year Akio set out to create new expressions through the beauty of imperfection. Drawing inspiration from Kakuzo Okakura. Akio says. "Okakura notes that imperfect objects invite us to use our imaginations—to 'complete' them in our mind's eye. His ideas inspired me to think...